The Taro collection refers to an ancient plant, the rare taro root. This crop is known not only for its ornamental leaves, but above all for the wealth it hides in the ground. Roots represent something solid that cannot be seen, and yet it can be the strongest and most precious thing a plant has. The main inspiration of the collection is balance. Balance not as something static, but on the contrary as a dynamic of diversity. The contrasts in the morphology of the jewelry are meant to confirm that nothing goes without the other. Before something goes smoothly, it might be good to bump first. Just like the beautiful leaves and flowers of plants, they could not beautify the landscape without their roots. In organic shapes inspired by amorphous aesthetics, the designer began to incorporate precious stones such as rubies, emeralds, sapphires, but also onyxes or amethysts. Taro naturally follows on from the author's previous collection In Motion, in which the designer dealt with jewelry as an object of exploration of the surrounding landscape. The rings that were created were designed in such a way that at first glance it was not clear how they were worn, and thus encouraged their observer to investigate more deeply. The author's new jewelry complements these objects with wearable pieces.
